https://onbeing.org/programs/richard-rohr-living-in-deep-time/
The Dipole Attractor
http://www.nature.com/articles/s41550-016-0036
Physical Relativity
http://strangebeautiful.com/other-texts/brown-phys-rel.pdf
https://www.whitman.edu/mathematics/calculus/calculus.pdf
Configuration Space
The Xerox Book →
Powaqqatsi: Life in Transformation (1988 - Godfrey Reggio) : INDi : Free Download & Streaming : Internet Archive →
“That which authenticate our work is the genuineness and spontaneity of our intuitions. In this way, the activity makes the world meaningful. It has no political status, and I would say it has no real social status. That’s precisely the way it is transcendant - it goes beyond the visible world into a world in which being alive makes sense.”
“The thing to keep in mind is that the production of geometrical appearances is - at the end of the day - a matter of dynamics.”
“Our ideas, however limited they may be at a given moment - since they always express our contact with being and with culture - are capable of being true provided we keep them open to the field of nature and culture which they must express. And this possibility is always open to us, just because we are temporal. The idea of going straight to the essence of things is an inconsistent idea if one thinks about it. What is given is a route, an experience which gradually clarifies itself and with others. Thus, what we tear away from the dispersion of instants is not a ready-made reason; it is, as has always been said, a natural light, our openness to something. What saves us is the possibility of a new development, and our power of making even what is false, true - by thinking through our errors and replacing them within the domain of truth.”
“There is a paradox of immanence and transcendence in perception. Immanence, because the perceived object cannot be foreign to him who perceives; transcendence because it always contains something more than is actually given.”
“The perceived thing is not an ideal unity in the possession of the intellect, like a geometrical notion, for example; it is rather a totality open to a horizon of an infinite number of perspectival views which blend with one another according to a given style, which defines the object in question.”
“The perceptual synthesis must be accomplished by the subject, which can both delimit certain perspectival aspects in the object, the only ones actually given, and at the same time go beyond them.”
